The design is inspired by Hiroshige Utagawa's "The Fifty-Three Stations of the Tokaido: Morning View of Nihonbashi."
This is one of Hiroshige's most representative masterpieces, depicting Nihonbashi, the starting point of the Tokaido connecting Edo and Kyoto.
This work is a ukiyo-e woodblock print,
entirely handcrafted by engravers and printers who inherited the techniques of ukiyo-e woodblock printing from the Edo period.
[Includes a certificate of authenticity and a numbered instruction manual] Limited to 300 prints; first come, first served.
Sales begin: September 30, 2026 (Wednesday) 12:00 PM~
The woodblock print depicts Nihonbashi, the starting point of the Tokaido journey connecting Edo and Kyoto.
Under the sky painted with the colors of dawn,
the wooden doors, closed at night to protect the town's safety, open on either side, and a new day begins.
A procession of daimyo, about to depart from Edo, walks across the bridge.
Ahead, fishmongers who have finished purchasing goods from the riverbank and traveling merchants carrying their cargo intertwine,
showcasing the vibrant scene of Nihonbashi in the early morning.
This work perfectly preserves the exquisite composition of Hiroshige's original artwork,
while cleverly immersing Nobita and his friends in the everyday life of Edo-era townspeople.
Doraemon is transformed into a traveling merchant, carrying goods on his head, perhaps the seasonal bonito or sea bream favored by the people of Edo; Nobita, Suneo, and Gian help carry vegetables from the Yaoya shop and fish; Shizuka, while helping, is captivated by the passing daimyo procession;
Meanwhile, his sister Dorami sits obediently on the bridge railing,
gently watching over everyone from a distance.
Bathed in the morning light, Doraemon and his friends blend into the street scene of Nihonbashi in Edo-era times,
each immersed in their own role.
Please appreciate this image, noting the expressions and movements of the figures,
and the landscape depicted by Utagawa Hiroshige.
This traditional Ukiyo-e woodblock print technique, passed down from the Edo period, is meticulously crafted by contemporary engravers and paper makers, stitch by stitch (one print, one fold).
Echizen Washi (Japanese Paper)
This Echizen Washi Is Made From 100% High-Quality Mulberry Bark, Handcrafted Sheet By Sheet By Living National Treasure Iwano Ichibei, Utilizing His Years Of Experience And Exquisite Craftsmanship. It Is Soft In Texture, Allowing For Smooth Absorption Of Pigments And Excellent Color Rendering, And Is Also Durable, Capable Of Withstanding Hundreds Of Prints.
Hand-Carved And Hand-Printed Woodblock Prints
The Woodblock Prints Are Carved And Printed Using Traditional Edo-Period Methods. The Raised Lines On The Woodblock Surface Are Only 1 Millimeter, And Each Color Is Individually Applied To The Japanese Paper By Hand.
These Technicians Belong To The Japan Ukiyo-E Woodblock Printing And Engraving Technique Preservation Association, Which Has Been Certified Under Article 83 Of The Cultural Properties Protection Law.
The Woodblock Printing Techniques Of The Engravers And Printers Have Been Designated As National Cultural Properties, Specifically "Important Folk Cultural Property Preservation Techniques."
Framing Designed Specifically For Ukiyo-E Prints
Because The Aspect Ratio Of Ukiyo-E Prints Differs From That Of Modern Paintings, It Is Difficult To Find Readily Available Frames Of The Right Size. To Ensure The Best Presentation Of Your Artwork, We Will Provide You With A High-Quality Frame Specially Commissioned By Banzo, Allowing You To Appreciate And Display It Immediately.
Place of Origin: Made In Japan
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